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Happyend Shoes, 2000, 40 x 60 x 25 cm, leather, electro-installation, light.
The Happyend Shoes were made specially for the context of Hollywood (Post Gallery). I tried to test out whether it is possible to bring the American film cliche idea of the happy-end story into the world of sculpture (object). Sculpture is connected with another cliche – the phenomenon of eternity. I tried to test out whether it was possible – using a static object – to fixate “on the age” of the euphoria of the happy-end (meant with hyperbole). The shoes should create a sentimental and sweet effect – it’s about the final passionate scene of love. Inside the merging lovers’ shoes are built-in powerfully radiant lights. They create the feeling of a deep light space inside the shoes.
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