Tron, 2015, 220 x 150 x 7 cm, stucco in synthetic fur, silicone, acrylic, metal
Paintings painted for the interiors of famous sci-fi films are trying to prove that in the future easel painting may remain part of architecture, and that architects of sci-fi interiors may not be right when they push out classic images from films. At the same time the thing is to use this strategy for discovering innovative aesthetic methods.
